Nantucket Wedding Photographer ...
By pomm79, Mar 28 2016 01:32AM
In this article I want to talk about a Nantucket Wedding Phoographer that is really good. He commissioned to produce a portrait similar to one his client had seen. h e set up a couch with a strip light above it. For soft light, designed to look like window light, he attached two Canon 580 e X Speedlites to Strobe Slippers to provide main light from the right side. These were mounted in small softboxes. Scrims can also be used in window frames for softening sunlight that enters the windows. The scrim can be tucked inside the window frame and is invisible from the camera position. Check out Nantucket Wedding Photographer | https://erinjgz.wordpress.com/
He was taking the Flash off the Camera Flash Brackets On-camera flash is used sparingly because of the flat, harsh light it produces. As an alternative, many photographers use on-camera flash brackets, which position the flash over and away from the lens, thus minimizing flash red-eye and dropping the harsh shadows behind the subjects—a slightly more flattering light. On-camera flash is often used outdoors, especially with TTL-balanced flash-exposure systems. With such systems, you can adjust the flash output for various fill-in ratios, thus producing consistent exposures. In these situations, above. Learn more at http://pommettphotography.com
Small wired flash units combined with various PC cords, slaves and reflectors. Photo courtesy of ProPhoto l ife.com. right — moving the flash off the camera, and more importantly, off the lens/subject axis, produces more dynamic lighting. Here, Bruce used a Strobe Slipper with a Canon 580 e X Speedlite and a radio Popper remote activation unit for his basic lighting. t he small flash was aimed into a small softbox, which, when used close to the subject, produces delightfully soft light. He had an assistant hold the light, remotely fired from the camera, off to the right and slightly above the subject’s head height so that it produced what is known as a loop lighting pattern. This is characterized by the off-to-the-side shadow under the nose.
Supporting the Off-Camera Flash There are a variety of ways you can support one or a series of off-camera flash units. If using only one off-camera flash, triggered by the hot-shoe-mounted camera flash, a monopod is probably the most convenient and flexible. Man- frotto makes a full line of lightweight carbon-fiber monopods that are ideal for having an assistant position an off-camera flash. Most small flash units also come with a small stand that can be used to remotely position the flash on a table or other flat surface. On the bottom of these flash stands there is also a receptacle that allows the flash to be conveniently attached to a monopod or light stand. A word to the wise, however: avoid overtightening, or the plastic flash stand will be destroyed.
Since the umbrella is close, the light is very soft and slightly overrides the daylight. t he back- light on her hair is natural sunlight. I should note that even though the speedlight is on a stand and firmly mounted, the photographer used an assistant to precisely position the light and keep it from tipping on the rough terrain.